Thomas Frank on the middle class’s most cherished idea, creativity, and how it became the cover story for the plutocracy that replaced it.
If the Trump administration succeeds in getting their hands on pro-Palestine donor Fergie Chambers via an extradition request ...
Alex Gibney’s Musk throws everything at the world’s first trillionaire, from an AI avatar in a gaming chair to ...
More than 30 years ago, a young Susan Collins played a leading role in a battle to cut workers’ compensation that at one ...
In You Can See Everything, Nathan Fielder appears almost willing to believe Elizabeth Holmes’s increasingly implausible claims of innocence. Whether or not his credulity is genuine, the result is a ...
The Left is often asked how it proposes to pay for programs like universal childcare, Medicare or All, and a green jobs ...
Donald Trump and J. D. Vance have called France’s protests the work of Muslim and Third World invaders. Ignoring the movement ...
Recurring layoffs reveal an industry organized around extracting value while workers bear the cost of crises. In Montreal, ...
A complacent view contrasts the freedom of the US internet with the tight regimentation of the Chinese version. In reality, the two seem to be converging around a model of state and oligarchic control ...
Political organizer and chef Lewis Bassett’s The Full English offers a firsthand account of how English food has been shaped ...
Britain’s Labour government has brought forward a bill that’s supposed to address the legacy of the Troubles in the North of ...
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