In 1971, Jean Eustache set a camera in front of his grandmother Odette and invited her to speak. The film that emerged, Numéro Zéro, is a vivid document of one woman’s life told without embellishment.

Writer-director Eugene Ashe was a successful musician before he started making films, a background evident in every exquisite frame of Sylvie’s Love. Not just because male lead Robert (Nnamdi Asomugha ...

Bahamas International Film Festival, Barbados Independent Film Festival, Barbados Visual Media Film Festival, Belize International Film Festival, Festival Internacional del Nuevo Cine Latinoamerican, ...

Serra: Yes. It creates an edit that answers this need that it cannot be narrative, it cannot be ideological, you’re not talking about anything. You are just trying to make a puzzle of the pieces that ...

You are reading a post from 25 New Faces of Independent Film 2019 ...

Part eulogy for a bygone commercial space, part rigorous investigation of its origins and subsequent representation in popular culture, Alex Ross Perry’s Videoheaven leaves virtually no stone unturned ...

When Padraic McKinley first received The Weight screenplay from producers Nathan and Simon Fields, he loved the atmospheric world it summoned forth. Original screenwriter Matthew Booi, along with Leo ...

With the 63rd edition of the New York Film Festival kicking off tomorrow (Luca Guadagnino’s After the Hunt is the Opening Night Film), we at Filmmaker offer a list of 20 recommendations, the majority ...

An image of the Dalai Lama gives diasporic texture to an otherwise anonymous suburban American house; the camera tracks to the next room, where a father, mother, and son sit like statues. A Tibetan ...

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...

Despite their dissimilar filmographies, I have great affection for both the arthouse friendly A24 and the drive-in exploitation of American International Pictures. That’s why I’m such a sucker for the ...

Dominga Sotomayor’s cinema is one of confined spaces. Her features tend to unfurl in tight, growingly claustrophobic settings. In her 2012 debut Thursday till Sunday, the action took place by and ...