The Karlovy Vary International Film Festival has walked an improbable path of occupation, compromise, and survival. Its first ...
A multidisciplinary artist at heart, the animator Emily Ann Hoffman makes films spanning many mediums at once. Stop-motion ...
Architect of the three last films in the Predator franchise (the previous two being the 1719-set Prey and animated anthology film Predator: Killer of Killers), Dan Trachtenberg would be the first to ...
I never got to meet Sam Neill, but I thought of him as a neighbor for a very specific reason: like me, he had sat in the ...
Toward the end of my interview with Gregg Araki, I remind him of his scene from Michael Almereyda and Amy Hobby’s 1995 documentary At Sundance. Sitting on a couch next to Todd Haynes, Araki is at that ...
In Gregg Araki’s I Want Your Sex (2026), a wallflower Gen Z gallery assistant, Elliot (Cooper Hoffman), enters into a dom-sub ...
I first heard about the reopening of the community-run cinema La Clef shortly after arriving in Paris this January. A friend, ...
30 years after his debut feature Kicking and Screaming (1995), writer-director Noah Baumbach, having crafted a notable career both in Hollywood and outside of it, has made his softest film yet, and ...
A Shrimp’s Daily Rehearsal, Afterlives, Another Birth, Astray, Gangsterism, I Heard That They Are Not Going to See Each Other Anymore, Prismatic Ground 2026, Surviving, Thirst In its sixth year, New ...
The latest entry in Heinz Emigholz’s (Slaughterhouses of Modernity, NYFF60) incisive, decades-long inquiry into the cinematic representation of space contrasts two Turin landmarks designed by Italian ...
Drumroll: Amy Adams stares at you. It’s intense—not haunting, but certainly not inviting. The camera pulls away, and it’s her character Laura who’s playing the drums. It’s daytime, there’s ...
Aro berria, the first feature from Spanish Basque filmmaker Irati Gorostidi Agirretxe, is focused on the revolutionary potential of two spaces: a factory floor and a tent. In the former space, ...