A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

A white, windowless storefront in Ridgewood, Queens, has the distinction of being the neighborhood’s first new cinema in nearly 100 years. Co-founded last year by filmmaker John Wilson alongside ...

A calling card to showcase proficiency and ambition, a vehicle to find resources for a larger project, or simply the most appropriate, or simply cost effective, way to tell a story, short films ...

Writer-director Eugene Ashe was a successful musician before he started making films, a background evident in every exquisite frame of Sylvie’s Love. Not just because male lead Robert (Nnamdi Asomugha ...

“I moved to L.A. a few years ago,” recalls filmmaker and animator Ian Samuels, “and it was a transition. Being in your twenties, navigating your social life, career, relationships — I made a lot of ...

When producers at Paris’s Misia Films asked Alexandre Singh and Natalie Musteata if they had ideas for a short to be filmed at the French luxury department store Galeries Lafayette, Singh ...

When Faces of Death was released almost fifty years ago, the idea of being “extremely online” was a distant glimmer, probably somewhere in Tim Berners-Lee’s eye. If you had a predilection for the ...

With the 63rd edition of the New York Film Festival kicking off tomorrow (Luca Guadagnino’s After the Hunt is the Opening Night Film), we at Filmmaker offer a list of 20 recommendations, the majority ...

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...

“I argue that cinema is either dying or dead — it’s certainly changing very rapidly — so maybe now is the time to make a film about the greatest cinematic practitioner.” Peter Greenaway’s Eisenstein… ...