After covering film and TV for more than 25 years, I’m still surprised at how long it takes some Black artists to become White Famous. What’s White Famous, you ask? It’s the state of being recognized ...

After covering film and TV for more than 25 years, I’m still surprised at how long it takes some Black artists to become White Famous. What’s White Famous, you ask? It’s the state of being recognized ...

After covering film and TV for more than 25 years, I’m still surprised at how long it takes some Black artists to become White Famous. What’s White Famous, you ask? It’s the state of being recognized ...

At press time, Connor Jessup is generating Emmy buzz for his heartbreakingly intense work as Taylor, a collegiate victim of sexual assault on the second season of John Ridley’s ABC series, American ...

Nestor Almendros has quite the filmography: most of Eric Rohmer’s films, a good amount of Francois Truffaut’s, Kramer vs. Kramer, Sophie’s Choice, and Days of Heaven (often considered one of the most ...

When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing the shambling undead of George Romero, the film’s infected sprinted after ...

Last fall, desiring information to aid our own filmmaking careers, we launched an experiment to see whether we could obtain hard data on independent film revenue. Having experienced firsthand how ...

Aaron Brookner and Rodrigo Areias’s Nova ’78 centers around the Nova Convention, a late ’70s avant-garde extravaganza that took place at NYC’s now defunct Entermedia Theater (Second Avenue and 12th ...

The following interview with Christopher and Jonathan Nolan was originally published as the cover story of Filmmaker‘s Winter, 2001 issue. As French film critic Andre Bazin might have once said: “Why ...

Dominga Sotomayor’s cinema is one of confined spaces. Her features tend to unfurl in tight, growingly claustrophobic settings. In her 2012 debut Thursday till Sunday, the action took place by and ...

One of the most innovative voices working in contemporary found footage cinema, the Palestinian filmmaker’s latest feature, A Fidai Film (which premiered this past spring at Visions du Reel in Nyon, ...

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...