I never thought I would become an art critic who complains about exhibition didactics. And yet, after a visit to the 36th Bienal de São Paulo, here I am.

The publication of “Chroma” represents an important shift by museums toward recognizing polychromy and its entanglement with white supremacy.

Through oceanic quilts and photographs, the artist transforms Miami’s waters into a site of refuge, memory, and belonging.

From one angle, her sculptural constructions appear deep, but from another flat; here they look angled, there not.

After a stint in 1950s New York, the LA-based artist abandoned abstraction and painting in favor of dreamlike, sexually charged drawings.

A Texas university shutters a show critiquing ICE, a medievalist’s ode to a 15th-century Black angel, and “Ponyo” arrives in LA.

The museum became a venue for “American Sublime” after Sherald withdrew her exhibition from the Smithsonian, citing ...

The University of North Texas (UNT) abruptly shuttered an exhibition of works by Victor “Marka27” Quiñonez, whose practice ...

Emails and apparent diary entries accuse the billionaire and MoMA trustee of biting and abusing alleged victims.

In January 2015, years after Epstein’s conviction, the former museum leader told him that he was “still proud” to call him a ...

A new exhibition at the Academy Museum in Los Angeles conveys the film’s whimsy and wonder through interactive elements.

Across two galleries in Manhattan, eight artists and collectives flout the weaponization of their identities to justify ...