Paul Thomas Anderson operates his own Panavision camera onstage as the Geese frontman plays and croons through hauntingly ...

It was going to be a long weekend for Pamela Abdy and Michael De Luca, the Co-Chairs and CEOs of the Warner Bros. Motion Picture Group. They rode the waves over the past three yea ...

With David Fincher letting his Netflix deal expire, has the movies he's made under it had the same impact as a "Zodiac" or "The Social Network"?

Forget WarnerMount or ParaBros. — David Ellison will name his new media conglomerate after the production company that gave ...

Nathan Fielder and Lance Oppenheim's 'You Can See Everything' faces major challenges trying to be the first documentary ...

Bleecker Street's leaders on Elon Musk's legal threats, its slate of Oscar hopefuls, and enduring the death of company ...

Annapurna Sriram and more indie creatives challenge claims of a film shortage, asking why audience demand isn’t translating ...

A smart, gorgeous, and richly provocative adaptation of John Steinbeck's classic novel follows an American family across ...

Higher Ground and Anonymous Content will produce a feature film adaptation of “Baldwin: A Love Story,” Nicholas Boggs’ ...

As the Paramount-Warner Bros merger looms, an IndieWire writer looks back at the golden age of "Forrest Gump," "Braveheart," ...

"The Debut," "Behemoth!" "Clarissa," and "Wild Horse Nine" are among the films playing at the Savannah Film Festival.

The cinematographers behind "Being Heumann," "Misty Green," and more tell IndieWire about the look of their films.