There are plenty of Vietnam memoirs and films but surprisingly few novels about the war, and none of them could be called exceptional or definitive. In his first full-length novel for nine years, ...
Swedish journalist Jonas Jonasson’s second novel, The Girl Who Saved the King of Sweden, hurtles along with all the energy, pace and improbability of his first, The Hundred-Year-Old Man Who Climbed ...
In Harold Bloom’s native United States, his latest tome has proved something of a publishing phenomenon. When I visited New York last autumn, this academic panorama of Shakespeare was enjoying a ...
In the long history of Western culture, it is given to very few to have an entire era named after them. Socrates sits within Antiquity, Leonardo da Vinci within the Renaissance; even Shakespeare has ...
The Fifties and Sixties saw the last widespread revival of interest in Ronald Firbank. In 1958, Sandy Wilson premiered a musical based on Valmouth (1919; possibly the only novel in which a majority of ...
Prominent in Stalinist propaganda of the 1930s, the metaphor of the path features heavily in Martin Sixsmith’s 1,000-year history of Russia. Presiding over a sprawling Eurasian landmass unsecured by ...
It isn’t too much of a spoiler, I hope, to say that Robert Harris’s enjoyable new book has a twist not at the end, but at the beginning: it starts out looking like a historical novel and, a chapter or ...
Peter Hitchens’s book is a plangent lament for the old Britain, the land of warm beer and lengthening shadows on the village cricket pitch; but it can also be read as an obituary for the old Daily ...
What is the best way to begin a book? Anna Burns, in her third novel, has gone for the now-read-on approach: ‘The day Somebody McSomebody put a gun to my breast and called me a cat and threatened to ...
Novels in which absolutely nothing happens are usually ‘B’ novels, those in Anthony Burgess’s memorable classification that are more concerned with meta-fictional tricksiness, problems of ...
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The English author who perhaps most closely resembled Stefan Zweig was his near-contemporary Somerset Maugham. Maugham lived longer, and wrote more full-length novels and fewer biographical and ...