Martin McDonagh’s comic thriller “Wild Horse Nine,” set on the eve of the Pinochet dictatorship, diverts our tears toward the ...
Tip Toe,” a gripping British show about middle-aged queer masculinity from Russell T. Davies, is fuelled by panic over the ...
We know we matter when other people notice us, when they invest in us—and when they need us. Young people, accordingly, ...
The Texas Democrat has stretched his closing message to encompass Beyoncé, the biblical David, and “Friday Night Lights.” Is ...
A visual tour of the Place de la République, a site of protests and political conflict in Paris for the past 150 years.
A majority of Israelis rejected the government of Prime Minister Benjamin Netanyahu, but forming a coalition could require ...
In India, a group of uncles plan to subvert the A.I. that is replacing them, in Pranav Bhasin’s mockumentary that celebrates ...
In fact, it’s easy to turn your personal tech dystopia into a utopia: all you have to do is shift from being a consumer to ...
French has written ten novels (the “Dublin Murder Squad” sextet, the “Cal Hooper” trilogy, and one stand-alone), and the real ...
As the President and his party launch a wave of bigoted attacks on Abdul El-Sayed, Bishara Bahbah, the founder of Arab Americans for Trump, says he may have been naïve.
After Brazil’s election, and ahead of the U.S. midterms, progressives and liberals around the world find cause to celebrate.
Missy Mazzoli’s operatic adaptation of George Saunders’s novel “Lincoln in the Bardo” is a charismatic, openhearted work.
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