Elliott Wang previews an adaptation of Jordan Tannahill’s Late Company, staged by OUMSSA and directed by Garion Sim and Natalie Tan.
So. The Green Party just won a seat in Greater Manchester that Labour has held since what feels like the invention of the ...
Guillherme Lopes, Lila Robinson, and Hannah Stewart discuss Turning Point UK's pop-up event in Oxford and speaking with Nick ...
Ivett Berényi reviews Kate Burke’s adaptation of Translations (Brian Friel, 1980) to discuss the multi-layered hybridity of Irishness.
Susan Yu attends a Good Neighbours concert in Kentish Town to review the new viral TikTok sensation from London.
Little Shop of Horrors hardly needs an introduction to theatre-goers and drama kids. Its B-movie campiness and disrespect for anything resembling common sense make the play unforgettable. The premise ...
Leila Hoffpauir reflects on the irrational exuberance of the AI bubble, and how a market crash would affect Oxford and its students.
Fox interviews Jude Holloway on founding the Oxford Concert Orchestra, the Oxford music scene, and music more generally.
Guilherme Lopes argues that economics is a dying discipline, analysing how capitalism has weaponised it, and how we can do better economics.
Flora Molnar interviews Leah O’Grady, producer of Who’s Afraid of Virginia Woolf?, soon to be staged in the Oxford Playhouse.
Ivett Berényi previews the adaptation of Brian Friel’s Translations soon to be staged by Full Moon Productions in Oxford.
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