Ivett Berényi reviews Fennec Fox Productions' staging of 'The Effect', a medical drama written by Lucy Prebble.

Oliver Weston reflects on Seamus Heaney's poem 'Sibyl' and its enduring environmental legacy in the modern world.

Ivett Berényi reviews 'Pirates of the Hungarian Sea' by Hungarian rapper Krúbi and examines the future of Hungarian ...

Grace Butler reviews the Eglesfield Musical Society's production of 'Guys and Dolls', directed by Magdalena Lacey-Hughes.

Flóra Molnár interviews Kapil and Pablo on producing and directing Green Templeton's first garden play, Shakespeare's 'As You ...

Elliott Wang interviews Louis Benneyworth regarding his new original musical, 'On Some Far Shore', produced by Cross Keys ...

Ivett Berényi reviews Méryl Vrouch’s 'The Harrowing of Hell.26', featuring a reimagining of biblical stories and figures.

Natalie Perera examines the history of jazz music, how improvisation came to be studied, and the consequences of its institutionalisation.

Elliott Wang reviews Splinter Productions' latest effort, 'Completely Bloody Incoherent', and reasons why it was ...

Dr Krushil Watene shares her work on collective continuance, Indigenous ethics, and the Marsden project transforming Ngāti ...

Aamina Thava reviews Grá Productions' staging of David Ireland's 'Ulster American' at the Burton Taylor Studio.

James Stratmann discusses his experience as an Australian student at Oxford, understanding the stereotypes of Britishness and ...