François Ozon has brought Albert Camus’s classic existentialist novel The Stranger to the screen in brooding, Bressonian black-and-white. He tells us about drawing out the sensual elements of the ...
Mad Max, The Babadook, The Cars That Ate Paris... these first-time filmmakers showed us how to make a killer calling-card.
Designed by celebrated graphic artist Edward McKnight Kauffer, this 1938 brochure commemorated the 100th screening of the Film Society, the influential bohemian group who revolutionised film ...
Drawing inspiration from a book by nature writer Robert MacFarlane, Robert Petit’s cave exploring documentary follows three experts below the surface of the earth.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results