Our first releases of 2026 include a 5-film collection of the great American documentary filmmaker Frederick Wiseman and a 1960s British B-film much loved by Quentin Tarantino and Edgar Wright.

Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.

Our Railway 200 series continues with a look at trains in British animation, from a 1980s Ovaltine advert to a psychedelic gem from the Yellow Submarine team.

This stark black-and-white design for the Sidney Poitier classroom drama is the work of Maria Ihnatowicz, one of the few female artists at the celebrated Polish School of Posters.

I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.

The collection includes Jones’s personal 16mm copies of the Monty Python feature films.

Ahmed stars Ash, a go-between for corporate whistleblowers, in Justin Piasecki and David Mackenzie’s smart surveillance conspiracy plot.

Applications are now open for the BFI National Lottery Audience Projects Fund, which will award £19.7m of National Lottery funding over three years to support the exhibition and distribution of ...

Over half a century and around the globe, Laura Mulvey’s influence on thinking about film, through her writing and her own filmmaking practice, has been unparalleled. As she receives a BFI Fellowship, ...

Emma Stone stars as a CEO who is kidnapped and accused of being an alien in Lanthimos’s dark and schlocky class-warfare thriller.

Palestinian filmmaker Kamal Aljafari’s vibrant documentary about everyday life in Gaza circa 2001 is an act of preservation and resistance writes Arron Kennon, one of the critics on this year’s LFF ...