The Danish director returns to feature filmmaking with more violent eye-gouging, ambiguous irony and neon-fetishising cinematography in a story of a fantastical metropolis that suffers from wafer-thin ...

As the Alien star joins the Star Wars franchise with The Mandalorian and Grogu, we spoke to Sigourney Weaver about her first memories of George Lucas’s original film, the appeal of sci-fi, and the ...

Cinema Novo was Brazil’s New Wave, a revolutionary body of films that reinvented Brazilian moviemaking via revolt, politics and radical style – with an impact that was felt around the world.

Leo Woodall stars as a piano tuner with hypersensitive hearing and a knack for safecracking in this suspenseful meditation on artistic envy and romantic uncertainty.

The American director’s third narrative feature explores the relationship between the spectator and the spectated with a meta story of a young director who has been tasked with reviving a cult horror ...

Na Hong-jin follows up his cult horror The Wailing with a maximalist monster movie that takes its cue from the pure action cinema of Mad Max: Fury Road.

Seventy-five years after the 1951 Festival of Britain brought the nation a mood of post-war optimism and excitement about the arts, this week’s object from the archive is the supplement that Sight and ...

At BFI Southbank from 18 to 19 July, the festival returns with a programme of premieres, talks and events championing disabled filmmaking, community and creativity.

Alongside this latest round of awards, the UK Global Screen Fund has today launched its brand new Video Games Release funding, designed to support UK video game developers to moun ...

In the first of a new series celebrating films returning to the spotlight in new restorations, Tony Rayns looks at an erotic Manila nightlife drama that troubled the censors but launched a subgenre of ...

For a filmmaker who has just completed his so-called ‘Cairo trilogy’, with this month’s startling political thriller Eagles of the Republic, there’s a great irony in the fact that Tarik Saleh left ...

Wheatley’s gleefully violent comic thriller pairs Coen-esque absurdity with inventive action and sly commentary on US gun culture.