Starring Dakota Johnson and Adria Arjona, Michael Angelo Covino’s wry comedy about two couples’ experiments with ethical non-monogamy revives the screwball in delightfully slapstick fashion.

The fund has awarded £200,000 to British Screen Forum to focus on mapping and improving analysis of data related to financing, audience engagement and commercial performance of independent film.

World cinema classics got their own specially designed posters at Oxford Street’s Academy Cinema in the 1950s, 60s and 70s. This Seven Samurai poster is typical of designer Peter Strausfeld’s striking ...

Baz Luhrmann’s all-raving Moulin Rouge – returning to cinemas this week for its 25th anniversary – is not just an ambitious stab at reviving the musical, it is also a rapturous blend of cultural ...

Phil Lord and Christopher Miller’s treacly alien buddy comedy about an astronaut stranded in outer space gives even the most curmudgeonly among us things to laugh at.

From Sun Ra’s origins to the future of climate‑ravaged memory, this year’s Thessaloniki Documentary Festival presented vital new works tackling archival practice and spotlighted early films by Bill ...

This week learn more about the latest stops on the Inside the Archive exhibition tour and the sequel to a BFI Replay workshop.

From The Searchers to It Was Just an Accident, kidnapping stories have provided tense movie drama ever since the silent era. As Gus Van Sant’s new thriller Dead Man’s Wire goes on release, we pin down ...

Directors Iain Forsyth and Jane Pollard construct a fictional ’Ministry of Not Forgetting’ led by Tilda Swinton to investigate the cultural legacy of Marianne Faithfull in a didactic documentary that ...

From hobbit to horror diehard, Elijah Wood dives into Ready or Not 2 and discusses working with David Cronenberg and Sarah Michelle Gellar, and the secrets of a good scare.

Look inside Derek Jarman’s scrapbook for Blue, where notes, drawings and clippings reveals the research, process and imagination behind his devastating and austere final film.

Bi Gan’s third feature is a chameleonic journey through a century of filmmaking. Here the director discusses finding inspiration in classic folk tales, and the fundamental mystery of perspective.