The Cinema of Werner Schroeter, showing at the ICA from 19 February-12 April, we revisit Adrian Martin's celebration of a director who stuck uncompromisingly to his own style of ecstatic filmmaking.

Director Bart Layton speaks to us about revisiting LA crime cinema in his tense, atmospheric adaptation of Don Winslow’s Crime 101 – a heist thriller that probes identity, surveillance and the ...

Shot by ace cinematographer Douglas Slocombe on the set of the Ealing comedy The Titfield Thunderbolt, the 16mm home movie offers an informal window into the human side of production – the faces and ...

In the running for the Oscar for Best Actor for his transformation into songwriter Lorenz Hart in Richard Linklater’s Blue Moon, Ethan Hawke looks back at a decade of change – in his craft, his ...

The path to reincarnation comes with brutally violent detours in Tommy Kai Chung Ng’s beautiful Studio Ghibli-indebted feature.

Highlights include Peter Weir’s darkly comic debut, a sci-fi cult classic in 4K, and a landmark of queer and experimental cinema.

Though at times too reliant on voice over, Julia Jackman’s fantastical comedic take on Isabel Greenberg’s graphic novel crackles with suppressed yearning.

Starring O’Brien as identical twins, director James Sweeney’s slippery story of an unlikely bromance is full of surprises – and is as poignant as it is playful.

Max Keegan explores both sides of the debate over reintroducing wild bears to the French mountains, offering a compassionate understanding of a local shepherd’s fear for his livelihood.

On its 75th anniversary, we revisit this review of Vittorio De Sica's classic fantasy comedy.

A terminal cancer diagnosis is met with dignity and a lot of morbid jokes in Tony Benna’s documentary about the final years of his self-mocking subject, André Ricciardi.

This week, learn how a shrewd rebrand is helping us spotlight more screen stories, and how old and new technology is driving our work and research.