One of the world’s largest cities, São Paulo has inspired generations of filmmakers to engage with its scale and contradictions, transforming the city's tensions and dynamism into some of Brazilian ...
In Punch magazine during the 1960s, the weekly film reviews were accompanied with evocative illustrations by cartoonist Michael Ffolkes, whose deft drawings cleverly captured the spirit of many ...
A young Argentinian woman searches the for her father in a defiantly introspective film from Sofía Petersen that looks like nothing else in the cinematic landscape.
Richard Linklater’s Nouvelle Vague arrives as a subscription exclusive in a month packed with Brazilian classics and a gripping Nordic noir.
A haunted Irish hotel becomes a site of personal reckoning for a haunted man played by Adam Scott in Damian McCarthy’s surreal horror-comedy.
Last weekend, we took the Inside the Archive exhibition to Cardiff as the latest stop of a UK -wide tour. In partnership with Cardiff Animation Festival, we hosted a pop-up event at Chapter Arts ...
An atmospheric post-war thriller, For Them That Trespass marks Richard Todd’s screen debut while capturing director Alberto Cavalcanti at a moment where studio constraint, noir sensibility and ...
As Alan Pakula’s Watergate thriller turns 50, we revisit Richard Combs’ assessment of its masterful pacing, controlled performances and potent tension. From our Summer 1976 issue.
Christian Petzold sorts through the older films that bubbled up into his imagination as he made his enigmatic new mystery drama Miroirs No. 3.
Filmed exclusively on the original home movie format and with 80 different antique Super 8 cameras, Ed Sayers’ film celebrates our universal connection to nature.
With its angular typeface and graphic elements that feel both space-age and like a throwback to the art deco era, this original quad for the David Bowie sci-fi – now 50 years old – is a classic of ...
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