This is the pass that Emeric Pressburger – later half of Powell and Pressburger – used to access the screening theatre at Germany’s biggest film studio, just before he fled Berlin in the early 1930s.

Sandra Hüller brings her clipped brilliance to the role of Erika Mann as she accompanies her father, the Nobel-prize winning author Thomas Mann, on a ceremonial trip from Allied West Germany to Soviet ...

Hamaguchi’s touching portrayal of friendship and communion between a care home director and a playwright with a terminal illness allows the director to investigate the possibility of change in a ...

The young director’s feature-length version of his YouTube shorts stays true to its creepypasta origins, turning a wasteland of cheap furniture into an infinite hellscape that entraps the viewer along ...

As Legally Blonde struts back into cinemas for its 25th anniversary, we revisit our original review of the film, where our critic praised its skilful satire and Reese Witherspoon’s winning performance ...

As the Alien star joins the Star Wars franchise with The Mandalorian and Grogu, we spoke to Sigourney Weaver about her first memories of George Lucas’s original film, the appeal of sci-fi, and the ...

Leo Woodall stars as a piano tuner with hypersensitive hearing and a knack for safecracking in this suspenseful meditation on artistic envy and romantic uncertainty.

UK-wide partnerships with Into Film and National Saturday Club renewed over three years to deliver activity nationwide.

From mind-bending narrators to fourth-wall-breaking mechanics, these games delight in exposing the wires beneath the medium, turning play into a self-aware experience.

How do the original sites in Rome where Vittorio De Sica shot his Italian neorealist classic Bicycle Thieves look today?

Following his recent BFI Fellowship, Mexican director Guillermo del Toro gave a masterclass to young creatives from the BFI Film Academy, exploring the craft behind his dark fairytales and how human ...

Long overlooked in the West, Soviet director Aleksandr Rou’s dazzling, effects-driven fairytale films reveal a pioneering master of fantasy whose enchanting worlds deserve a central place in cinema ...