From HDC-5500 system cameras to VENICE 2 cinema rigs, here’s how Sony is powering NBC’s Super Bowl LX broadcast at Levi’s ...

Canon’s RF 7–14mm F2.8–3.5 L Fisheye STM delivers up to a 190° field of view for sports, VR, and creative imaging. Specs and ...

Canon’s RF 14mm F1.4 L VCM is a fast ultra-wide prime aimed at landscape, astro, and video shooters. Specs, pricing, and ...

Sony releases A7S III firmware v5.00 with major autofocus improvements including Spot XL, custom focus areas, vertical ...

Vinten has introduced VEGA Lite, a broadcast-ready PTZ camera control solution with scalable workflows, integration for robotic supports, shot grids, keyframe sequences, and AI-driven presenter ...

LG Display has paused 8K panel development, other brands have exited, and Samsung is now the only major 8K TV holdout. Here’s ...

Atomos introduces the Shogun AV-19, a 19-inch 4K HDR rack monitor-recorder-switcher for live and video village work with quad ISO recording, NDI HX3 and ProRes support, and a lot more.

Benro’s NE1 Electronic Variable ND Filter Kit goes live on Indiegogo with early bird pricing. We break down features, Dye-LC ...

Editor David Barker on shaping Chasing Summer for its 2026 Sundance premiere, managing a tight shoot-to-festival schedule, ...

The Godox AD800Pro battery flash|: specs, performance, 800 W output, 300 full-power flashes per charge, HSS up to 1/8000 s, ...

Blazar’s Talon 1.5X AF anamorphic lenses deliver lightweight, full-frame cinematic optics with autofocus and a 1.5× squeeze.

A practical look at the three most common on-set backup mistakes — copying the wrong media, failing to test backups, and ...