Paolo Sorrentino's 'La Grazia' toplining 'The Great Beauty' star Toni Servillo has been set as Venice Film Festival opening ...

Paolo Sorrentino’s “Parthenope” is doing gangbuster business at the Italian box office, where the director’s lavish love letter to his native Naples has surpassed the €5 million ($5.3 ...

To shoot “The Hand of God,” Paolo Sorrentino returned to his roots and did a lot of things backwards. “After 20 years of filmmaking I was perhaps a bit tired of the spot I was in,” he says ...

The undisputed guest of the day at the Giffoni Film Festival 2025 was, without a doubt, Paolo Sorrentino. The director, fresh ...

Last year, Paolo Sorrentino turned 50, and realized he was ready to confront the greatest tragedy of his life. In 1987, the future filmmaker fulfilled his dream of attending a soccer match by his ...

PAOLO SORRENTINO: I started to think about this movie 10 years ago, but I had some modesty [issues], and so I just wrote the script. At first, ...

This story about Paolo Sorrentino, Filippo Scotti and “The Hand of God” first appeared in the International Issue of TheWrap’s awards magazine.. There was a time, not long ago, when if Paolo ...

In The Hand of God, Paolo Sorrentino tells an intimate story about growing up in Naples, Italy. The turbulent coming-of-age film, marking the director's most personal and emotional work yet, concerns ...

By any yardstick, Paolo Sorrentino has had a lot of good luck in his directing career. His first film premiered at the Venice Film Festival in 2001 and the next six competed at Cannes, a residency ...

Italian film director Paolo Sorrentino discusses his new film The Hand of God, which opens in U.S. theaters Dec. 3. It's about the tragedy he experienced as a teen and the escape he found in cinema.

Oscar-winning Italian filmmaker Paolo Sorrentino has been set to write and direct The Hand Of God for Netflix. The Youth and The Great Beauty filmmaker most recently helmed HBO series The New Pope ...

To a certain extent, “The Great Beauty” is a fantasy film lost in the vivid corners of its lead character’s mind. In the extraordinary 10 minute opening sequence, Sorrentino depicts a wildly ...