One Battle After Another was the biggest winner at this year’s BAFTA s, taking best film and best director for Paul Thomas Anderson, as well as adapted screenplay, cinematography and editing. The film ...

İlker Çatak’s political drama about an avant garde theatre couple whose family life begins to unravel when their work is targeted by the government has much to say about artistic censorship.

Among the lineup are 31 world premieres including Madfabulous, Washed Up and Hunky Jesus, alongside the 4k restoration premiere of Pink Narcissus playing in cinemas across the UK.

Fennell takes liberties with her source material in a colour-saturated, baroque spectacle charged by yearning and foreplay that all falls apart in the second half.

This generic supernatural slasher is perhaps too reflexive for its own good, but Dafne Keen and Sophie Nélisse's watchable dynamic adds some freshness.

Emerald Fennell loves films that provoke a reaction, as her list of influences on “Wuthering Heights” goes to show. She talks us through seven films that – like Emily Brontë’s novel – are sure to ...

Autumn Durald Arkapaw has made history by becoming the first Black woman to be nominated for the Oscar for Best Cinematography, and she could become the first woman ever to win it. Ivie Uzebu reports ...

Parallel to its official selection, the festival also hosts FrightFest at GFF, a genre-focused sidebar showcasing new horror, fantasy and science-fiction cinema, as well as the annual focus on a ...

Vividly melding Camus' iconic story with author Kamel Daoud's retelling, this imaginative fiction is a response to the very real, unnamed casualties of Algerian independence.

Shot by ace cinematographer Douglas Slocombe on the set of the Ealing comedy The Titfield Thunderbolt, the 16mm home movie offers an informal window into the human side of production – the faces and ...

This week, learn about a copyright gathering in Brussels and find out what happens at the BFI National Archive during the festive downtime period.

To mark the release of Emerald Fennell's new take on Wuthering Heights, we look back to a 1987 article that explored the checkered history of Brontë film adaptations.