The new BFI Governors are Tanya Cordrey, Mark Herbert, Ganan Kanagathurai, Hakan Kousetta, Ryan Prince and Jane Tranter (Wales Governor).
As the beloved Ealing crime comedy turns 75, we track down the exact spots where Alec Guinness and his gang of gold bullion thieves carried out their heist.
Ahead of the release of Sophy Romvari’s acclaimed Blue Heron, we revisit 10 Canadian debut features that signalled singular talents and quietly reshaped the national film landscape.
Together with Arts Council England and LIVE Green, we’re rolling out UK-wide campaign offering public vital refuge in cultural venues during heatwaves. Cool Off in Culture features a growing list of ...
Despite its overstuffed plot, this return to the Toy Story franchise is guaranteed to break hearts all over again as the gang fight for imagination and relevance in a world of screen-addicted children ...
Jodie Foster stars in Rebecca Zlotowski’s psychological thriller as an American psychiatrist in Paris drawn into investigating the death of a longtime patient, with Daniel Auteuil and Virginie Efira ...
Canadian-Hungarian director Sophy Romvari restages her childhood experiences to devastating effect in a semi-autobiographical debut feature that understands grief is not a problem to be solved.
A UK industry first, the bespoke toolkit for independent film provides free, accessible and achievable guides to reducing the environmental impact of film productions. BFI also announces it will fund ...
Leisa Gwenllian gives a remarkable performance in Marc Evans' Welsh-language film adaptation of the one-woman-play Iphigenia in Splott, a story of survival set in the slate quarry town of Blaenau ...
From pounding rockers to haunting laments... As hit-single-launching teen musical The Young Ones arrives on Blu-ray, we select a key film song from each year of the swinging 60s.
Georgian director Alexandre Koberidze invites us to try a new way of seeing in a subdued low-tech portrait of a post-Soviet nation between two worlds, shot on a 2008 Sony Ericsson phone.
In films such as Federico Fellini’s La dolce vita (1960) and 8½ (1963), the lives of the rich and fashionable were gradually picked apart, showing the emotional void underneath the sharp suits and ...