The most shocking flip of the Democrats’ blue-tsunami midterms is Scott Colom’s defeat of Cindy Hyde-Smith, making him ...

Paige Williams began writing for The New Yorker in 2013 and became a staff writer in 2015. She reports from across the country, and sometimes beyond it, on a range of topics—death-penalty law in ...

This interview was featured in the Books & Fiction newsletter, which delivers the stories behind the stories, along with our ...

There are plenty of Brazilian restaurants in New York, but Iara feels thrillingly novel.

Ron Howard’s new Netflix documentary is cagy about the dark underside of the legendary photographer’s life, which is perhaps ...

In the dazzling meta-drama “Bitter Christmas,” two filmmakers—one the brainchild of the other—ponder what friends owe one ...

Mohammed R. Mhawish and his family escaped the destruction of Gaza. In the quiet of exile, they discovered the cost of ...

In "Promise Me, America,” Joe Biden is as stubbornly in denial as ever. And that assessment risks making the memoir sound ...

Abdelrahman ElGendy is a 2026 National Book Award finalist. The U.S. denied him a visitor visa to attend the award ceremony.

Novelists have long grasped the possibilities of the honey trap. Ian Fleming served up such enticements in his James Bond ...

At a Chelsea gallery, the artist duo Elmgreen & Dragset walked through their latest installation—a barren, rusty Corten-steel ...

Public schools are financing private capital's love affair with ed-tech and A.I. Students are paying the price.