Denial, of course, has long been one of Trump’s signatures as a politician. But in this of all years it seems a bit of a ...

Translation is Carson’s primary art form. One way to describe it is as the art of sustained metaphor: a word in one language ...

In Aaron Sorkin’s overwritten sequel to “The Social Network,” inspired performances by Mikey Madison and Jeremy Allen White ...

The exchange that ensues is funny, pervy, and startling—and suddenly the play begins to glide along a fresh, unusual path, ...

In Cristian Mungiu’s Palme d’Or-winning drama, starring Sebastian Stan and Renate Reinsve, a family of conservative Christian ...

Judith Thurman, who covers books and culture for The New Yorker, began contributing to the magazine in 1987 and has been a staff writer since 2000. Her subjects have included Emily Wilson’s radically ...

Powers in the Horn of Africa, the Middle East, and beyond are being drawn toward a conflict between political factions in ...

People often call money from the opioid settlement “blood money,” and you might expect that it would go mostly to the ...

For decades, the Heritage Foundation was a conservative powerhouse. Can it stay relevant in the influencer age?

Want better search results? Make The New Yorker a preferred source in Google. Sign up for our daily newsletter to receive the best stories from The New Yorker.

Of the sixteen novels that John Steinbeck published before his death, in 1968, “East of Eden” was his favorite. “I think ...

Alexander Chee’s début novel, “Edinburgh,” published twenty-five years ago, collapses past and present in a brilliant account ...